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durability and archival quality and can be thinned and mixed with any acrylic colour or other mediums
Framed - 455 x 368mm / 17
the dark hour of the morning watch is ending: a bank of mist overhangs the lake
giving the brush control for detailed work
The amount of added water influences the opacity and gloss of the colour
Tarn Hows near Coniston by Alfred Heaton Cooper (1863 - 1929) Art Materials - Sharpeners durability and archival quality andIn this picturesque scene, with sheep grazing in the foreground the Langdale Pikes are seen within the clouds. Tarn Hows (which apparently means 'small heights surrounding the lake') was artificially enlarged by a dam in the early 20th century, and planted with spruce and larch. One of the few tarns accessible by car, it has fine views of the Langdale Pikes, illustrated so beautifully here amongst all of the lush flora and rugged landscape. It remains
