As mentioned above, Shatner had previously worked on a production of this same Serling script in January of 1955 for the Canadian anthology series Playbill
The skull is not one of a corpse, but a self-portrait, demonstrating that externals have been stripped away and we have entered the artist's inner reality, where the material world is experienced more as a phantasm than a solidity, as shown by the thin outlines of an ashtray or cigarette packet resting on the equally insubstantial table
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This era comes after Rust has spent years as an undercover agent known as "Crash," and sees the homicide detective team up with Woody Harrelson's Marty as they both work the case that eventually bonds them for life
