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The fondness for fragments can be traced back largely to Sergei Eisenstein in the 20s, when famous set pieces began to define the art of cinema in many mindsthe Odessa steps sequence in Potemkin (1925), the bridge-raising sequence in October (1927), and the cream-separator sequence in The General Line (1929), all eventually supplanted by the shower-murder sequence in Alfred Hitchcocks Psycho (1960)
This leads to unwanted events in families and society in general thereby giving rise to issues like family breakdown and societal disputes
Unearthing itself was a big part of that in that there were people Steve had known for decades, and lived with in the case of his brother, who did not know how very, very strange he is
I feel kind of uninhibited
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