St. Xenia and the Gleaners of Leningrad printmaking Under the swampy nighttime cover

Under the swampy nighttime cover of a Montreal heatwave

all at once at West Space in 2016

When purchased online

Christopher Sutherland and Jessie Norman – whose operation later became known as Metro-Auto-Photo – began working with Adler to generate interest in his work and to successfully save his photobooth

Known for his innovative use of industrial materials such as steel rod

St. Xenia and the Gleaners of Leningrad printmaking Under the swampy nighttime coverThis perfect essay is a portrait of a fleeting moment, post socialist, and pre monopoly capitalist. It illuminates a very recent time, still present but already shrouded, when excess and desperation held hands and a new economy of faith was born under the benevolent patronage of St. Xenia, who was called by the name Andrey Fedorovich. Claudio Lomnitz, Professor of Anthropology, Columbia University A both mystical and prosaic story of a city and its